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	<title>Reckon &#187; RIP</title>
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		<title>Australian poet Dorothy Porter dies in Melbourne</title>
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		<pubDate>Wed, 10 Dec 2008 10:12:00 +0000</pubDate>
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				<category><![CDATA[Literature]]></category>
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		<category><![CDATA[Dorothy Porter]]></category>
		<category><![CDATA[RIP]]></category>

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		<description><![CDATA[Australian poet Dorothy Porter died in Melbourne this morning from complications due to cancer. She was 54.


Related posts:<ol><li><a href='http://reckon.ws/wp/most-novels-make-most-poets-cringe.htm' rel='bookmark' title='Most novels make most poets cringe'> <small>It is ironic that Laird, also a novelist, has set up the strawman of television (and, oddly radio, that most literate of mediums) to pose as the enemy of poetry in our age, when, in fact, it is clear that is is the novel that has done the most damage to poetry's reputation. It is the novel, with its often pseudo-literary mannerisms, that has stolen poetry's mantle of importance, relevance, and popularity, leaving poetry the scraps. Most novels make most poets cringe, their style is so bad. Poets know how to write, line by line, in a way that many popular, even prize-winning writers of prose do not.

via <a title="Eyewear | Todd Swift" href="http://toddswift.blogspot.com/2008/09/is-poetry-better-than-tv.html" target="_blank">Eyewear</a></small></a></li><li><a href='http://reckon.ws/wp/gary-snyder-awarded-2008-ruth-lilly-poetry-prize.htm' rel='bookmark' title='Gary Snyder Awarded 2008 Ruth Lilly Poetry Prize'> <small><a href="http://reckon.ws/wp/wp-content/uploads/2008/05/snyder.jpg"><img class="alignleft size-full wp-image-111" title="Poet Gary Snyder" src="http://reckon.ws/wp/wp-content/uploads/2008/05/snyder.jpg" alt="" width="300" height="296" align="left" /></a><span class="sidesubhead">$100,000 lifetime achievement award is one of largest to poets</span>
<span class="articledate">Published on Apr 30, 2008 - 9:09:15 AM</span>

<span class="articlebyline">By: <a title="Poetry Foundation" href="http://www.poetryfoundation.org/" target="_blank">Poetry Foundation</a></span>
<blockquote>The selection of Gary Snyder as this year's winner of the Lilly Prize does honor to the tradition of excellence and importance that the prize has stood for since it was established over 20 years ago," said John Barr, president of the Poetry Foundation.</blockquote>
<span class="articletext">CHICAGO, April 29, 2008 -- Poet Gary Snyder is the winner of the 2008 Ruth Lilly Poetry Prize. Established in 1986 and presented annually by the Poetry Foundation, the award is one of the most prestigious given to American poets, and at $100,000 it is one of the nation's largest literary awards. Christian Wiman, editor of Poetry magazine and chair of the selection committee, made the announcement today. The prize will be presented at an evening ceremony at the Arts Club of Chicago on Thursday, May 29.</span>

In announcing the award, Wiman said: "<a title="Gary Snyder | Wikipedia entry" href="http://en.wikipedia.org/wiki/Gary_Snyder" target="_blank">Gary Snyder</a> is in essence a contemporary devotional poet, though he is not devoted to any one god or way of being so much as to Being itself. His poetry is a testament to the sacredness of the natural world and our relation to it, and a prophecy of what we stand to lose if we forget that relation."

Raised in the Pacific Northwest, Snyder began writing in the 1950s as a member,with Allen Ginsberg and Jack Kerouac, of the Beat movement. For most of the 1960s he lived in Japan and studied formally in a Zen monastery. Blending physical reality-precise observations of nature-with insight received primarily through the practice of Zen Buddhism, Snyder has explored a wide range of social and spiritual matters in both poetry and prose.

The judges issued the following statement in making the selection: "Gary Snyder is a true nature poet: there's no sentimentalism to his work, and he never uses the natural world simply to celebrate his own sensibility. A deeply learned and meditative artist, an impassioned ecologist, and a poet of great scope as well as intense focus, Snyder has written poems that we will be reading for as long as we've been reading Robert Frost."

Snyder is the author of more than a dozen books of poetry, essays, and translations. His poetry collections include Riprap and Cold Mountain Poems, The Back Country, Regarding Wave, No Nature, Mountains and Rivers Without End, and Danger on Peaks. His essays are collected in Earth House Hold, The Real Work, A Place in Space, and Back on the Fire.

A committed environmental activist who has received the John Hay Award for Nature Writing, Snyder has also been recognized for his contributions to the theory and practice of Buddhism. His many honors include the Pulitzer Prize in 1975 for Turtle Island, an American Academy of Arts and Letters award, the Bollingen Prize, a Guggenheim Foundation fellowship, the Bess Hokin Prize and the Levinson Prize from Poetry, the Robert Kirsch Lifetime Achievement Award from the Los Angeles Times, and the Shelley Memorial Award.

Snyder was born on May 8, 1930, in San Francisco. He is professor emeritus of English at the University of California, Davis, and lives in northern California.</small></a></li><li><a href='http://reckon.ws/wp/who-you-are-as-a-poet.htm' rel='bookmark' title='Who you are as a poet'> <small><span id="ctl00_ContentPlaceHolder1_Label1" style="font-family: Arial,Sans-serif; font-size: 10px;">Guthrie Martin agrees. "So many poets I know are so concerned with MFAs and prizes and getting published, making their mark," she said. "For me, having who you are as a poet live on isn't about any particular poem you write or your body of work. It's about how you inspire other people to be interested in poetry. It's just lovely to see people engaged in open, honest, friendly, generous, brilliant discussions of poetry just because they love it that much."  (via <a title="Facebook for Poets" href="http://uwnews.org/uweek/article.aspx?id=51575" target="_blank">UW News</a>)
</span></small></a></li></ol>

Related posts brought to you by <a href='http://mitcho.com/code/yarpp/'>Yet Another Related Posts Plugin</a>.]]></description>
			<content:encoded><![CDATA[<blockquote><p>&#8220;She had enormous energy and she was a really feisty person. And I think you see that in the way she made her poetry work, in very spare tight verse. And she not only found a readership for her verse novels, she found a very large readership,&#8221; Malouf said.</p></blockquote>
<p><a href="http://reckon.ws/wp/wp-content/uploads/2008/12/porter470280.jpg"><img class="alignnone size-medium wp-image-347" title="porter470280" src="http://reckon.ws/wp/wp-content/uploads/2008/12/porter470280-300x178.jpg" alt="porter470280-300x178 Australian poet Dorothy Porter dies in Melbourne " width="300" height="178" /></a></p>
<p>The Australian arts community is mourning the unexpected loss of one its true originals, the writer and poet Dorothy Porter, who died yesterday morning in Melbourne, aged 54, from complications from breast cancer.</p>
<p>Porter is best known for her verse novels, among them <em>The Monkey&#8217;s Mask</em> a thriller about a lesbian detective, published in 1994. It won the National Book Council&#8217;s Poetry Prize in 1995 and was shortlisted for several other literary awards, before being published in the United States, Canada, Britain and Germany.</p>
<p>A film version, directed by Samantha Lang and starring Susie Porter and Kelly McGillis, was released in Australia in 2001.</p>
<p>Her verse novels <em>What A Piece Work</em> (1999), and <em>Wild Surmise</em> (2003) were shortlisted for Australia&#8217;s most prestigious literary prize, the Miles Franklin Award.</p>
<p>Porter&#8217;s most recent publication was <em>El Dorado</em>, her fifth verse novel, about a serial child killer. It was nominated for several awards including the inaugural Prime Minister&#8217;s Literary Award in 2007, and Best Fiction in the Ned Kelly Awards.</p>
<p>&#8220;She had such a vitality and a grasp of life,&#8221; said David Malouf, who remembers teaching Porter at Sydney University when she was a first-year student.</p>
<p>&#8220;She had enormous energy and she was a really feisty person. And I think you see that in the way she made her poetry work, in very spare tight verse. And she not only found a readership for her verse novels, she found a very large readership,&#8221; Malouf said.</p>
<p>&#8220;It&#8217;s just very sad, and I think there&#8217;ll be a lot of people out there who admire her, and are fond of her and will miss her very much.&#8221;</p>
<p>Porter, whose talents as a writer found many outlets, including fiction for young adults and libretti for chamber opera, was collaborating on a rock opera called <em>January</em> with Tim Finn at the time of her passing.</p>
<p>&#8220;I was extremely shocked and saddened,&#8221; Finn said. &#8220;We heard this morning. We knew she was ill but we didn&#8217;t how ill. She was a very real person, with no bullshit, and this raw honesty. You would want to meet her on that level. Her work was streetwise and sensuous. She could write with heightened language, and never be waffly or precious, and there was always the unexpected image. She was a really great writer.&#8221;</p>
<p>via <a title="Dorothy Porter dies at age 54" href="http://www.smh.com.au/news/entertainment/books/dorothy-porter-dies/2008/12/10/1228584914257.html" target="_blank">The Sydney Morning Herald | Matthew Buchanan</a></p>
<p><a title="Dorothy Porter" href="http://en.wikipedia.org/wiki/Dorothy_Porter" target="_blank">Dorothy Porter</a></p>
<p>Porter at <a title="Poetry Intl Web | Dorothy Porter" href="http://australia.poetryinternationalweb.org/piw_cms/cms/cms_module/index.php?obj_id=668" target="_blank">Poetry International Web</a></p>
<p><a title="Dorothy Porter | Australian Humanities Review" href="http://www.australianhumanitiesreview.org/archive/Issue-March-2000/porter.html" target="_blank">Australian Humanities Review</a></p>
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<p>Related posts:<ol><li><a href='http://reckon.ws/wp/most-novels-make-most-poets-cringe.htm' rel='bookmark' title='Most novels make most poets cringe'> <small>It is ironic that Laird, also a novelist, has set up the strawman of television (and, oddly radio, that most literate of mediums) to pose as the enemy of poetry in our age, when, in fact, it is clear that is is the novel that has done the most damage to poetry's reputation. It is the novel, with its often pseudo-literary mannerisms, that has stolen poetry's mantle of importance, relevance, and popularity, leaving poetry the scraps. Most novels make most poets cringe, their style is so bad. Poets know how to write, line by line, in a way that many popular, even prize-winning writers of prose do not.

via <a title="Eyewear | Todd Swift" href="http://toddswift.blogspot.com/2008/09/is-poetry-better-than-tv.html" target="_blank">Eyewear</a></small></a></li><li><a href='http://reckon.ws/wp/gary-snyder-awarded-2008-ruth-lilly-poetry-prize.htm' rel='bookmark' title='Gary Snyder Awarded 2008 Ruth Lilly Poetry Prize'> <small><a href="http://reckon.ws/wp/wp-content/uploads/2008/05/snyder.jpg"><img class="alignleft size-full wp-image-111" title="Poet Gary Snyder" src="http://reckon.ws/wp/wp-content/uploads/2008/05/snyder.jpg" alt="" width="300" height="296" align="left" /></a><span class="sidesubhead">$100,000 lifetime achievement award is one of largest to poets</span>
<span class="articledate">Published on Apr 30, 2008 - 9:09:15 AM</span>

<span class="articlebyline">By: <a title="Poetry Foundation" href="http://www.poetryfoundation.org/" target="_blank">Poetry Foundation</a></span>
<blockquote>The selection of Gary Snyder as this year's winner of the Lilly Prize does honor to the tradition of excellence and importance that the prize has stood for since it was established over 20 years ago," said John Barr, president of the Poetry Foundation.</blockquote>
<span class="articletext">CHICAGO, April 29, 2008 -- Poet Gary Snyder is the winner of the 2008 Ruth Lilly Poetry Prize. Established in 1986 and presented annually by the Poetry Foundation, the award is one of the most prestigious given to American poets, and at $100,000 it is one of the nation's largest literary awards. Christian Wiman, editor of Poetry magazine and chair of the selection committee, made the announcement today. The prize will be presented at an evening ceremony at the Arts Club of Chicago on Thursday, May 29.</span>

In announcing the award, Wiman said: "<a title="Gary Snyder | Wikipedia entry" href="http://en.wikipedia.org/wiki/Gary_Snyder" target="_blank">Gary Snyder</a> is in essence a contemporary devotional poet, though he is not devoted to any one god or way of being so much as to Being itself. His poetry is a testament to the sacredness of the natural world and our relation to it, and a prophecy of what we stand to lose if we forget that relation."

Raised in the Pacific Northwest, Snyder began writing in the 1950s as a member,with Allen Ginsberg and Jack Kerouac, of the Beat movement. For most of the 1960s he lived in Japan and studied formally in a Zen monastery. Blending physical reality-precise observations of nature-with insight received primarily through the practice of Zen Buddhism, Snyder has explored a wide range of social and spiritual matters in both poetry and prose.

The judges issued the following statement in making the selection: "Gary Snyder is a true nature poet: there's no sentimentalism to his work, and he never uses the natural world simply to celebrate his own sensibility. A deeply learned and meditative artist, an impassioned ecologist, and a poet of great scope as well as intense focus, Snyder has written poems that we will be reading for as long as we've been reading Robert Frost."

Snyder is the author of more than a dozen books of poetry, essays, and translations. His poetry collections include Riprap and Cold Mountain Poems, The Back Country, Regarding Wave, No Nature, Mountains and Rivers Without End, and Danger on Peaks. His essays are collected in Earth House Hold, The Real Work, A Place in Space, and Back on the Fire.

A committed environmental activist who has received the John Hay Award for Nature Writing, Snyder has also been recognized for his contributions to the theory and practice of Buddhism. His many honors include the Pulitzer Prize in 1975 for Turtle Island, an American Academy of Arts and Letters award, the Bollingen Prize, a Guggenheim Foundation fellowship, the Bess Hokin Prize and the Levinson Prize from Poetry, the Robert Kirsch Lifetime Achievement Award from the Los Angeles Times, and the Shelley Memorial Award.

Snyder was born on May 8, 1930, in San Francisco. He is professor emeritus of English at the University of California, Davis, and lives in northern California.</small></a></li><li><a href='http://reckon.ws/wp/who-you-are-as-a-poet.htm' rel='bookmark' title='Who you are as a poet'> <small><span id="ctl00_ContentPlaceHolder1_Label1" style="font-family: Arial,Sans-serif; font-size: 10px;">Guthrie Martin agrees. "So many poets I know are so concerned with MFAs and prizes and getting published, making their mark," she said. "For me, having who you are as a poet live on isn't about any particular poem you write or your body of work. It's about how you inspire other people to be interested in poetry. It's just lovely to see people engaged in open, honest, friendly, generous, brilliant discussions of poetry just because they love it that much."  (via <a title="Facebook for Poets" href="http://uwnews.org/uweek/article.aspx?id=51575" target="_blank">UW News</a>)
</span></small></a></li></ol></p>
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