Entrepreneurs, for example, work in the early stages of their company’s growth at the same level as third-world laborers. Many hours are spent at almost no remuneration to nurture the concepts that will later – it is hoped – produce livelihoods for many. Working for nearly nothing is a very common entrepreneurial strategy that flies [...]
If you still cherish any illusions about the absolute value of money, or art, for that matter, start thinking about J.S.G. Boggs’ bills. Boggs made his first bill in 1984–unintentionally so, and without the faintest notion of the never-ending lawsuits, the media attention, and the extraordinary prices that his bills would generate in the years to follow.
Last night at a poetry reading marking the release of the 2008 Best American Poetry anthology the distinguished poet and Finding Forrester star Charles Bernstein delivered a stirring plea for swift intervention to stave off the subprime poetry crisis:
Cultural leaders have come together to announce a massive poetry buyout: leveraged and unsecured poems, poetry derivatives, delinquent poems, and subprime poems will be removed from circulation in the biggest poetry bailout since the Victorian era. We believe the plan is a comprehensive approach to relieving the stresses on our literary institutions and markets.
Let there be no mistake: the fundamentals of our poetry are sound. The problem is not poetry but poems. The crisis has been precipitated by the escalation of poetry debt—poems that circulate in the market at an economic loss due to their difficulty, incompetence, or irrelevance.
As the sell-off in global markets continues, RCM’s CIO for Europe Neil Dwane believes the aftermath of Monday’s events will lead to the formation of a ‘new world order’, in which the remaining financial giants will flourish.
via CityWire