“An artist who is interested in all the structural problems of sensation and who examines with great objectivity and curiosity the possibility of sensorial enrichment innate in the perceptive capacity of man. His search, in short, is parascientific; he ventures into very particular areas, not limiting himself to theoretical discussion, as the dadaists did, but going into an actual examination of the semantic links to which we entrust ourselves daily with our senses. Obsessive repetition, the upsetting of our relationships, unconventional stimuli etc., constitute the instruments that permit us to examine the novelty of the reflexes of our conscience, and therefore also the novelty of the ways that they reveal themselves.” (Notes on Painting)
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